Contrast. Objection. Antithesis. This is how you might start an attempt to
describe the world. A seemingly chaos of shapes and thoughts that don’t
belong to each other. An overall image to be found in life and in music. But
that’s not Fiedel’s view of the world. Where others make distinctions, he sees
connections, where others find emptiness, he finds rooms full of opportunities.
Finding those harmonies, connections and contexts marks out his musical
work. The synthesis of apparently opposing music, the interaction and the mix
of styles and moods, without loosing the storyline, that makes out the
characteristic Fiedel sound.
Born and raised in Brandenburg, he finds access to the music through various
artists and styles in the mid 1980s. He was influenced by artists of the old
school hip hop like Mantronix and Egyptian Lover and the early works of
Depeche Mode and Kraftwerk. A very important influence was Monika Dietl’s
radio show at Radio 4U in West-Berlin. Her show aroused the fascination and
the longing for musical freedom and diversity, that was not possible in former
Eastern Germany. Those impressions gave him a first feeling, a first vision of
what should become alive later on.
After the wall came down, the way was open to access a fresh scene, and with
it came a whole spectrum of new and old music to discover. In the beginning
of the 1990s, he started DJing in public as a regular at the Monday events at
Subversiv. Shortly after he began his collaboration with his befriended
Errorsmith under the name of MMM. They released several productions and
play live shows. Since 2000 he is resident at OstGut and later on at Berghain.
On the compilation Fünf he had his first solo release on the incoporated
Ostgut Ton label, followed by contributions to the compilations Various (2013)
and Ostgut Ton | Zehn (2015). In 2012 he eventually founded his own label
Fiedelone, to give his own productions a more personal base. In spring 2014 he
developed a live set, which he premiered at Berghain. March 2017 saw his first
full Ostgut Ton release with the 12″ Substance B, followed up by his
contribution to the Berghain mixes series in January 2018.
You can say one thing about Fiedel: he is no techno or house stereotype
pattern, that you can put randomly on a every evening or club.
He is lead by his history, the history of the music and the feeling of the moment
to build something new and to capture this very moment. Let it be the straight
dark techno of today, banging acid of the 80ies or an electro funk record,
Fiedel surprises. He undermines and overrides expectations and refrains to limit
the music for any reason. He lets the music speak for itself, through himself.